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Vocal coach Valerie Morehouse on what to do when you’ve got them
January 1, 2010
Vocal nodules are probably the most serious problem a singer or actor can face. Proper training, practice, and lifestyle can help avoid them, but what if a performer already has nodules? Not taking the correct steps to rehabilitation can destroy a voice—and with it a career. Valerie Morehouse is a Los Angeles–based vocal coach who has helped rehabilitate a number of actors and singers with serious voice problems. She is currently helping rock musician Reeve Carney and actor Evan Rachel Wood prepare for their Broadway debuts in the upcoming musical “Spider-Man: Turn Off the Dark.”
Considering Surgery
Morehouse insists that surgery is not always necessary. “A singer has to be careful about going to a surgeon who just wants to laser them off,” she warns. “I would say seven out of 10 times the singer can rehab the voice to the point where the nodule will shrink and eventually disappear.”
There are times when surgery cannot be avoided, usually if the nodule is large or hardened or if the singer has upcoming shows. Morehouse suggests getting vocal rehab before and after surgery: “If they practice properly and stay plugged into the training, they will often never have a nodule again.”
Exercises
Morehouse has very specific exercises for rehabbing the voice. “I usually start with harder-consonant exercises, like ‘gee’ or ‘gug,’ as these help get the cords closed and strengthened,” she says. She stays away from breathy exercises. “Any exercise that’s aspirate, like a ‘sh’ sound, is only going to exacerbate the problem by sending more air through the cords,” Morehouse warns. “This excess air will tend to dry out and irritate the nodule, which can worsen the problem.”
Recovering Range
Vocal damage can severely limit a singer’s range. Morehouse carefully analyzes each voice so she can work safely within its current state. “I first test the voice to see where the nodule is sitting on the cord, listening to how the cords are closing in certain registers, like chest, middle, and head voice,” she says. “I work sections separately at first, being careful not to overwork and cause further damage to the voice. Once they begin to get the exercises in their body, feeling the correct vibrations and closure, I start to take them higher.”
Using More Support?
A singer who is experiencing vocal troubles will often think the solution is simply a matter of more breath support. Morehouse disagrees with this notion. “If the singer has nodules, it’s a very bad idea,” she warns. “If you give too much support without balancing the voice first, it’s working backwards. Support alone can put too much muscle and pressure on the mechanism, which can worsen their problem.”
Getting Strong Again
Morehouse’s method strengthens the muscles around the nodule, so the performer can get proper cord closure without the rubbing. “It’s like when a runner has a floating kneecap: You can’t do surgery, so you strengthen the muscles around the kneecap so that it stays in place,” she says. “The pressure then goes onto the muscles instead of the kneecap. When you are phonating correctly, the nodule has nothing to do but to give up and go away.”



